When the world around you has gotten very dark and you find the strenght to be alone, you begin to listen differently,
see the organic and unexpected in your surroundings, and see the incomprehensible beauty of the world in everything.
Old ingrained thoughts either reappear in new forms or fade away.
Dreams grow simpler, and you wake up smiling. It is a precarious structure.
You pay for it with fear of the unknown and sudden panic - a whisper in the darkness - but a promise of light.
Bluebell, a flower of gratitude.
As the sun rises over the trees, the forest awakes not with yawns, but with an opening of eyes in calm, waiting to soften.
Oil on canvas,natural pigments, 75x65cm, 2024
As the sun rises over the trees, the forest awakes not with yawns, but with an opening of eyes in calm, waiting to soften.
Oil on canvas,natural pigments, 75x65cm, 2024
White Iris, a flower of hope.
For a moment its tranquil shade evokes sentiments of hope, trust and faith by reflecting the serenity of moments of days and nights merge.
Oil on canvas,natural pigments, 75x65cm, 2024
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For a moment its tranquil shade evokes sentiments of hope, trust and faith by reflecting the serenity of moments of days and nights merge.
Oil on canvas,natural pigments, 75x65cm, 2024
Daffodil, a flower of resilience.
A grief that was, and a sorrow continues to spark but not consume the heart.
Oil on canvas,natural pigments, 75x65cm, 2024
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White Orchid, a flower of purity.
In simplicity it catches fro its pursuit of truth, the bravery to stand out, and the capacity to recognise the beauty around.
Oil on canvas,natural pigments, 75x65cm, 2024
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Primrose, a flower of patience.
The strenght to wait for what is right, takes a while before you begin to listen differently, see the organix and unexpencted changes with incomprehensible beauty in it. From a place of hopelessness to one of belief.
Oil on canvas,natural pigments, 75x65cm, 2024
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A grief that was, and a sorrow continues to spark but not consume the heart.
Oil on canvas,natural pigments, 75x65cm, 2024
White Orchid, a flower of purity.
In simplicity it catches fro its pursuit of truth, the bravery to stand out, and the capacity to recognise the beauty around.
Oil on canvas,natural pigments, 75x65cm, 2024
Primrose, a flower of patience.
The strenght to wait for what is right, takes a while before you begin to listen differently, see the organix and unexpencted changes with incomprehensible beauty in it. From a place of hopelessness to one of belief.
Oil on canvas,natural pigments, 75x65cm, 2024
Peony, a flower of healing.
Oil on canvas,natural pigments, 75x65cm, 2024
Oil on canvas,natural pigments, 75x65cm, 2024
Discovering hidden in the daylight soil full of treasures and life, calms the mind the one who wondered this way. The tactility and the fragrance are easily recognisable and recalled. Memories circle back to become the present.
Oil on canvas,natural pigments, 100 x 135 cm, 2024
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Oil on canvas,natural pigments, 100 x 135 cm, 2024
Project Between raw and serene is an attempt to create works that conveys a sense of tranquillity and connects the viewer to nature
by emphasising the beauty in simplicity, such as unexpected, frequently overlooked details. Mirroring the distinction between wild, raw nature and serene contrasts of light.
To be native to a place we must learn to speak its language.
I come here to listen, to nestle in the curve of the roots in a soft hollow of pine needles, to lean my bones against the column of white pine...
I come here to listen, to nestle in the curve of the roots in a soft hollow of pine needles, to lean my bones against the column of white pine...
Desert flower, oil on canvas, 70x50cm, 2024
Silent flower, oil on canvas, 70x50cm, 2024
The idea begins inside, from the inside structures of pistil - the flower central organ. Its silent response catching hidden rhythms of light. That pure and gentle quality of reflected light on natural surfaces produces a sensation of vitality,security, wonder and calm.
Honey flower, oil on canvas, 70x50cm, 2024
Unfolding in april flower, oil on canvas, 70x50cm, 2024
Midnight flower, oil on canvas, 70x50cm, 2024
This series conveys a sense of tranquility and emphasize the simplicity and detailed of defined textures and tones.
Yarrows heavenly, oil on canvas, 145x160cm, 2024
To speak of solitude, oil on linen, 30x35cm, 2024
In the floral series The Fullness of Flower Petals (2023), with reference to still life paintings, Kamila's compositions zoom in and out and detach flower bulbs from their natural surroundings. With the means of flowers she works with topics such as ephemerality and folklore inspirations.
Floral Lace II, oil on canvas, 145 x 110 cm
Floral Pattern, oil on canvas, 20 x 25 cm
Project Mirages: What the image appears to represent, however, is determined by the interpretive faculties of the human mind. For example, inferior images on land are very easily mistaken for the reflections from a small body of water.
Mirage I, mixed media, 69 x 69 cm
The presented works examine digital and physical tactility (materiality and material simulations) by elaborating on differences between creating 3D images and creating physical textile objects
In 2023 objects were materialized based on compositions created in Blender in 2021 during the lockdown and exhibited at the virtual reality exhibition titled Fata Morgana.
In 2024 they were exhibited at Art Rotterdam in the Netherlands.
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Image Desires. I often indulge in the looping activities of daily posting and sharing of information and images online.
In the paintings I do not present these activities exactly, rather I reach for the simplest representation of behaviour: copy-paste, repeat, copy-paste, repeat, copy-paste, repeat.
Patterns are produced by a commonly available online generator and then manipulated and translated onto canvas. Each of the paintings in this series presents repetitions of shapes on a mirror-image basis, which paradoxically allow for certain deviations considering both precision and errors.
Infinite pattern generation has its pros and cons. New logos and elements are created continuously and the machine is never short of ideas and inspiration, which is exciting. On the other hand, the alternatives proposed by the machine are excellent but cold. They are the result of an artificial synthesis that has nothing to do with authenticity or with traditional methods of learning passed down from generation to generation.
In the exhibition we have proliferation, repetition, morphing, spamming, contextual changes and many other desires of the image itself.
The solo exhibition in 2022 is part of a diploma at the Academy of Fine Arts, Faculty of Painting, under the direction of Prof. Wojciech Zubala and Dr. Jan Mioduszewski. Presented in the space of Mysia 3
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Patterns are produced by a commonly available online generator and then manipulated and translated onto canvas. Each of the paintings in this series presents repetitions of shapes on a mirror-image basis, which paradoxically allow for certain deviations considering both precision and errors.
Infinite pattern generation has its pros and cons. New logos and elements are created continuously and the machine is never short of ideas and inspiration, which is exciting. On the other hand, the alternatives proposed by the machine are excellent but cold. They are the result of an artificial synthesis that has nothing to do with authenticity or with traditional methods of learning passed down from generation to generation.
In the exhibition we have proliferation, repetition, morphing, spamming, contextual changes and many other desires of the image itself.
The solo exhibition in 2022 is part of a diploma at the Academy of Fine Arts, Faculty of Painting, under the direction of Prof. Wojciech Zubala and Dr. Jan Mioduszewski. Presented in the space of Mysia 3
Vertical repeat, oil on canvas, 165 x 120 cm
The Persistent Afterimage. Stare into the maxed out brightness of the screen or the sun shape, withholding the gaze the surrounding immediately becomes darker and with closing eyes, the optical echo of the screen will remain. Focused on the afterimage that arises from the residual activity, retaining light after the source is gone. The paintings are generated images of such a situation's memories. And as painting medium is flattened, reproduced, edited, and distributed across multiple systems and devices, the blur posses its metaphorical dimension.
Graduation work at Royal Academy of Art in The Hague, 2021
Afterimage Glitch, acryl on canvas, 130 x 120 cm
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Unseen, acryl on canvas, 80 x 100 cm; cherrywood framing
Afterimage II,III, acryl on canvas, 45 x 40cm